After I’d created the part, I had a stack of three additional tracks that also needed to be tuned to match.
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The plan was to move notes around with pitch editing software at a later time and fabricate a part that would support the lead line. For this particular song, in addition to the usual doubles and other layers, I had the artist randomly sing above the hook without any particular melody in mind, as the session was wrapping up and we didn’t have time to write a harmony part. You can set the maximum allowable time shift in milliseconds, toggle a high-resolution option that up-samples for cleaner results, choose which pitch algorithm is used, and identify pitch ranges, which helps VocAlign Ultra if you’re (for example) matching a bass to a soprano.ĭuring the review process, I first used VocAlign Ultra on a hip-hop track with a lot of vocal stacking.
If nebulous terms like “loose” and “tight” don’t do it for you, you can click on the Advanced button and reveal several other parameters that allow for more precision. You could, for instance, choose to loosely match timing, but make the pitch exactly the same as the guide track, or vice versa, or anywhere in between. VocAlign Ultra’s one-two punch of time and pitch matching is displayed simply as two knobs with varying degrees of Loose/Tight settings – something that you’ll encounter repeatedly. One of the underrated new highlights is a resizable plug-in window, which is great for those of us with smaller monitors or laptops. The GUI is easy on the eyes, easy to navigate, and all the features you’ll use the most are easy to locate.
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In the time I spent evaluating this plug-in, I’d estimate I saved a full day’s worth of editing, and (most importantly) retained some brain cells I would have otherwise surely lost. This is game-changing, in that not only can you skip the painstaking process of correcting the timing of a vocal double, but you can now also bypass tuning every vocal track separately in a stack of vocals.
What previously could take hours of editing over the course of a song (or days over the course of a project) has been reduced to mere seconds! Now, with VocAlign Ultra, Synchro Arts have upped the ante by adding pitch matching, along with several other powerful quality-of-life changes. This is incredibly useful for matching up a vocal double to the main take, aligning harmonies, syncing different vocalists, or any scenario where one instrument needs to match another instrument in terms of timing. It’s that good.įor those unfamiliar with the basic premise of VocAlign, it allows you to select a guide vocal track (or any instrumental track), then pick another vocal track, and align the timing of the track with the guide track in just a few clicks. This new version elevates its previous iteration, VocAlign Pro 4, from something you’d highly recommend to a friend into something you’d demand they purchase immediately.
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This is an incredibly efficient way of tightening up background vocals, or post production ADR sessions.Īdding ARA2 support for VocALign means tighter integration and a faster, easier workflow with the latest versions of:Īll VocALign Project and VocALign Pro owners can download this free VST3 update now from the Synchro Arts website.įor those that don’t already own VocAlign, try out a 14 day demo of either VocAlign Project or VocAlign Pro.The newest iteration of VocAlign, a timing and pitch control plug-in from the award-winning UK-based software developer Synchro Arts, comes in the form of VocAlign Ultra. VocALign works by capturing a ‘Guide’ signal with the right timing, capturing a ‘Dub’ signal to be aligned and, at the press of a button, a new aligned ‘Dub’ is generated and returned to your DAW. The newest versions, VocALign Project 3.6.0.5 and VocALign Pro 4.5.0.5 VST3, now use this revolutionary audio plug-in extension technology for instant communication with host DAWs.
As of June 26, 2019, Both VocAlign Pro and VocAlign Project now include ARA 2 support.
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